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Wishing Lata Mangeshkar Happy 84th Birthday The most discussed aspect about SD Burman-Lata Mangeshkar combination is their break up for about five years, 1958-62, rather than their music. In that, he is among a long line of film and music personalities with whom she had one of her famous run-ins. But there is a vital difference. From all accounts, this one did not have the acrimony common to her other fall-outs. And when they finally came together, my understanding is – again from accounts available in public domain – that it was with mutual respect. In the hiatus of five years SD Burman was none the worse as he continued to give some of the greatest music of his career, now with Geeta Dutt and Asha Bhosle, but he realized he had something beyond, where only Lata Mangeshkar could reach. She also felt that there was something unique in Dada’s music, without which she would remain incomplete.
Thus their second innings led to another set of great melodies in Bandini, Guide, Tere Mere Sapne, Prem Pujari, Talash, Anurag, Abhiman etc which continued till the very end of his career. For those interested, here is. ( Note: While most accounts mention Bandini (1963) as their patch-up film, she has a couple of songs in Dr Vidya (1962).
Mr Arunkumar Deshmukh has informed me that their first song after patch up was ‘Pawan diwani’ from Dr Vidya.) Even though SD Burman was 23 years senior to Lata Mangeshkar, their debut in Hindi films was almost concurrent. He debuted as a composer in 1946 with Shikari, she as a playback singer a year later with the film Aap Ki Sewa Mein (though her singing, as distinct from ‘playback’, started five years earlier, details of which are widely available on the net). As we have noted earlier, his first big success was with Geeta Dutt in 1947 with Do Bhai, and he also continued with other singers of yesteryears such as Amirbai Karnataki and Suraiya etc. While Lata Mangeshkar was creating waves with Naushad, Khemchand Prakash, Anil Biswas, Shyam Sundar, Shankar Jaikishan, Ghulam Haider and C Ramchandra as the voice of the future, SD Burman seems to have warmed up to her somewhat late. Lata’s first song for him was probably in Mashal (1950). Mashal is more well known for Manna Dey’s Upar gagan vishaal, which possibly stands as his first super hit song.
But next year from Thandi hawayein lahraa ke aayein and Jhan jhan jhan jhan payal baaje onwards, SD Burman created for Lata Mangeshkar a kind of music which was unique and established him as one of the greatest composers of the Golden Era regardless of whether he matched the commercial success of his peers or not. In one of my earlier posts in the series on SD Burman with major singers, there was a discussion that some of them have been less than fair to SD Burman in acknowledging his contribution in their growth and fame. Lata Mangeshkar has been very prolific in public domain in interviews and writings under her by-line. I think she has been quite generous in praising him. But regardless, I have planned this series not only as a tribute to the singer, but also to SD Burman. So let me present this double tribute with their best songs on the 84 th Birth anniversary of Lata Mangeshkar. Incidentally, SD Burman’s Birth anniversary (107 th) would come in three days, i.e.
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Aaj nahi to kal bikhar jayenge ye badal from Mashal (1950), lyrics Pradeep I start with this song more for historical interest as this should be among her first songs by SD Burman. I heard this song for the first time while researching for this post. I find the song is very melodious, and it is quite surprising that it was not on the radar screen of the All India Radio. The video quality is excellent.
I believe the lady lip synching the song is its heroine Sumitra Devi. Thandi hawayein lahraa ke aayen from Naujawan (1951), lyrics Sahir Ludhiyanvi After a couple of Lata songs in Mashal, which did not create much waves in spite of their intrinsic musical merit, SD Burman creates a song of everlasting fame in the very next year. It is said that this was inspired by Charles Boyer’s from the movie Algiers (1938). Here is a very good on the legacy of this song, and other ‘inspired’ Hindi film songs based on this source.