Synopsys: MISS SHERLOCK pays homage to the classic by Sir Arthur Conan Doyle, Sherlock Holmes, with bold interpretations of the iconic characters, Sherlock Holmes and Dr. MISS SHERLOCK is set in modern day Tokyo and both lead characters are Japanese women – Dr.
Wato Tachibana, a surgeon recently returned from a volunteer doctors’ mission in Syria and Sara Shelly Futaba, an investigation consultant to the police department who solves bizarre and difficult cases. Throughout the series, the pair solves mystery after mystery with Miss Sherlock’s extraordinary observation and reasoning skills.
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Do Guy Ritchie and Sherlock Holmes fit? Why, it's elementary my dear movie fan. This is one of the most entertaining thrillers of the year and the fantastic Downey Jr. And Law are a big part of the reason why. They take top honors as the years best bro-mance, arguing like an old married couple while deep down knowing that they'd be lost without each other.
Downey is Holmes and Law is sidekick Dr. Watson, embroiled in a plot where the black-magic-practicing Lord Blackwood (a perfectly grave and menacing Mark Strong) has risen from the dead after being sentenced to hang. Rachel McAdams also shows up as Irene Adler, the only criminal who has ever gotten the best of Holmes. Brings quick-wit, cunning, and a scruffy toughness to a role long seen as stuffy and dry, while Law a distinguished charm that, at times, spills over into testy aggressiveness (which is funniest at Holmes most annoying). Both toss off the one-liners with ease.
Ritchie's directorial style also comes through, from the dark, grimy Victorian- London production values to the violent boxing and martial arts matches. Holmes' mindset (such as the steps he takes to neutralize a suspect, interpret clues, follow the deceptive) also brings out Ritchie's ability to create an ultra-stylized flashback. There are also a few really thrilling action set-pieces involving a boat and an unfinished bridge.
The plot, by three screenwriters, is a little on the convoluted side but it gets the job done with plot-twist on-top of plot twist. With all the brutal violence and style, you can be sure this isn't your Grandpa's Sherlock Holmes, but it will have you drooling for a sequel nonetheless. Greetings again from the darkness. Great literature seldom makes for great cinema. The mediums are vastly different. However great literature, in the right hands, can make for very entertaining cinema. Such is the case with Guy Ritchie's interpretation of Sir Arthur Conan Doyle's greatest character.
Ritchie provides us with quite a departure from the Basil Rathbone and Nigel Bruce 'Holmes and Watson'. Here we get dazzling special effects and near super-human feats and stunts. Another twist is that this Holmes here is no meticulous, fastidious bore in real life.
In fact, he lives more like a frat boy or rock star - replete with trashed room and bouts of isolation. What is not missing is Holmes' world class attention to detail. The story here is multi-layered and actually very interesting, if not a bit high-minded and high-concept. The still-under-construction Tower Bridge plays a role in the film and the bleakness and gray of London is captured perfectly. Of course, I won't reveal any details of the story other than to say the 'good' guys are out to get a real bad guy here. Wonderfully played by the always solid Mark Strong, who may or may not be dead. That always makes for an interesting case!