Review Summary: “Famous Monsters” breath new life into the classic punk band’s collection of horror. We’ve all seen that evil grinning skull logo. Whether its printed on a t shirt, a hoodie, a pair of boxer shorts, a dog tee, a sticker, a naval ring, or an arm band. You might find it on pair of black sandals, slippers, socks, a skateboard deck, a keychain, or a beanie. Don’t be surprised if you catch the brand on a magnet, a purse, a backpack, a coffee mug, a clock, a lighter, or an air freshener.
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View credits, reviews, tracks and shop for the 1999 Vinyl release of Famous Monsters on Discogs. “Famous Monsters” was a follow up to that. Their third effort, a compilation of rare singles and alternate versions called “Cuts From The Crypt”, was the last. By the time that album was released, the line up had dissolved and Marky Ramone replaced Dr.Chud on drums, and Dez Cadena (of Black Flag) replaced Doyle.
There’s gloves, light switch covers, shot glasses, incense, incense holders, temporary tattoos, pillowcases, backpacks, belt buckles, bass n’guitar strings and even CD’sAbout these CD’s, are there songs on them' Well all of this merchandise must have some reason to exist. Why do people want it so much' Is there an artist that can be put to this sinister image' The Misfits were a punk-rock band that formed in New Jersey during the late 1970s and broke up in 1983. They primarily consisted of bassist Jerry Only, his teenage brother Doyle, vocalist Glenn Danzig and a rotating slew of drummers.
They created the genre known today as horror punk and played an integral part in inspiring many other bands that would later comprise the modern punk scene. They rose to fame with their unique music that combined speedy aggressive rock with extraordinary vocals and lyrics that dealt primarily with horror movies. With songs like “Skulls”, “Astro Zombies”, “Bloodfeast” and “Spinal Remains” among others, they created primitive quality recordings and and toured, attracting fans with their ghoulish image, not often incorporated with rock music of that era.
When they disbanded in the early 80s, their was a legal battle over the rights to “The Misfits” name. As either singer Danzig or bassist Only would be the proprietor of their beloved creation. Jerry Only won the legal battle, leaving the groups vocalist no rights to the bands name. Glenn Danzig continued his music career with the band “Samhain“, one similar to his previous endeavor but with a darker, less poppy tinge. He gained even more success with his following project “Danzig“, which sounded even heavier and more experimental than his punk roots. The Misfits achieved ever increasing popularity following their demise, slowly gaining a cult of fans. However, the band was not officially done for, as Jerry Only was secretly concocting a devious plan to revive his old band without their singer.
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There are two versions of The Misfits, though they have the same exact name and at least one founding member in them at all times. There is over a ten year gap between the two. The Newfits, or Post Danzig Misfits or Misfit’s A.D. (after Danzig) are a reincarnation of the 80s classic hardcore punk ensemble. The new line up consisted of: Jerry Only (bassist and original member, Doyle (guitar, original member), Dr.
Chud (drummer, and no stranger to horror punk), and Michael Graves (singer). The modern version of the band have released four albums to date.
They released the album “American Psycho” in 1997. “Famous Monsters” was a follow up to that. Their third effort, a compilation of rare singles and alternate versions called “Cuts From The Crypt”, was the last. By the time that album was released, the line up had dissolved and Marky Ramone replaced Dr.Chud on drums, and Dez Cadena (of Black Flag) replaced Doyle. Michael Graves left, and Jerry Only became bassist/lead singer. They then put out “Project 1950”, an album of 50s covers.
“Famous Monsters” is the superior release of their contemporary efforts. It showcases a sound the band had become comfortable with, and an overall greater sense of song writing.
Pretty much every track on it is a miniature tale of terror, mainly drawing inspiration from a book or a film. Kong At The Gates is the definitive instrumental intro, that starts with a heavy build up of drums, Chud‘s toms sounding like thunder. Then Doyle and Jerry come in with the signature crunchy distortion and perfectly balanced bass.
It gradually fades into the next song with what sounds like an air raid siren combined with feedback combined with wolves howling, introducing The Forbidden Zone, (which refers to the barren wasteland where human beings are exiled on the “Planet of the Apes”). Its one of many catchy simple punk songs, with dark lyrics and an even darker sounding ensemble of heavy metal toned instruments that ensue. Dust to Dust is an infectiously catchy song about Dr. Frankenstein’s monster, but these dayswhat isn’t' Lost in Space is in the same vein as Dust to Dust, with a highly infectious hook and a darkly ominous melody. Theirs some guitar fills in it that sound a little like alien sound effects but the true highlight of the song is a well placed slide accompanied by a percussion buildup right before every chorus, an easy trick but so well done and effective here. Based on the film about a remote Switzerland Mountain resort that is terrorized by extra terrestrial creatures from a radio active cloud, Crawling Eye’s thrash around intro lets up with a clever chord progression and the shear speed that gives The Misfits their place in punk legend.