Song

RADHIKE TOONE BANSARI CHURAYI reuploaded on 25 FEB 2011 RAGA: ADANA my song no.218 sung by V.S.Gopalakrishnan I am presenting here before you a semi-classical song in Raag AHIR BHAIRAV sung by Rafi saheb in the film BETE BETI (1964) directed by L.V.Prasad of the South and starring Sunil Dutt, Saroja Devi, Jamuna, Mehmood and Rajendranath. Music was by the duo Shankar-Jaikishan and lyrics were by Shailendra.

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This song is well known to the not so very young. Ahir Bhairav is a lovely raag and is different from plain Bhairav and also from plain Bhairavi. In Bhairav, all seven notes are there but Re and Dha are komal.

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In Bhairavi, again all seven notes are there but Re, Ga, Dha and Ni are komal. In Ahir Bhairav, all the seven notes are there but Re and Ni are komal. LYRICS Radhike tune bansuri churayi Radha, u hv stolen the flute bansuri churayi kya tere man aai what? Your mind worked in stealing the flute kaahe ko raar machaai machaai re raar=shindy (why raise hue and cry) radhike tune.

Dey dhuungi kahe kasme khaaye U said i will give it and promised so kahaan chupaayi par na bathaaye where you hid it u hv not said yet natkhat karat dikhaayi dikhaayi re you r playing mischief radhike tune. Naa teri bairan naa teri sautan i am not ur enemy or in-law aaa-sautan meri muraliyaa mohe sabkaa man my Krishna mesmerises everyone's mind kari teri kaun buraayi buraayi re what harm has he done to you radhike tune. ============================================================== • • •. My dear Gopal, I liked the song. You have sung it well.The information collected from Web Site is reproduced for your use.I have not understood the ABC of Raag Ahir Bhairav.

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This is an old rag. It is characterized by the use of Komal Re and Komal Ni. This mode does not belong to any of the 10 thats put forward by Bhatkhande; however for some inexplicable reason, he ascribed this rag to Bhairav That. Often times, this rag is referred to by its south Indian name of Chakravaka. This is an early morning rag. For those who are still inclined towords the Vadi / Savadi theory it has been suggested that Ma is its vadi and Sa as its samvadi. Ahir Bhairav is very well known through old film songs such as 'Pucho Na Kaise' and 'Meri Bina Tum Bin Roye Sajana'.

There are two approaches to this rag (Rao 1980). The first type omits Ni in the arohana: it is therefore shadav - sampurna. The second approach does not omit any note; therefore it is sampurna - sampurna.